Rebel with no cause at all

More aspects of Rimbaud are known than can be assimilated: his vastly various, influential and innovative poetry itself; his expressive letters; his scornful and unhesitating permanent abandonment of poetry at the age of 20; the anecdotes of his contemporaries showing him as a drunken, filthy, amoral homosexualteenager who becomes a reserved, hard-working, responsible and respectable (if misanthropic and disgust-ridden) adult merchant and explorer. One would have to be a genius oneself to grasp the full significance of Arthur Rimbaud, or at least have the ability to hold many opposed ideas in one’s mind at the same time and still function fully. Numerous writers have sought to demonstrate their qualifications along these lines by publishing studies of him.
This biography by Edmund White is the digest version. If you’re casually curious about the fuss made over Rimbaud and want the lowdown from someone literate, it will satisfy you, without badly misleading. This approach seems to be the plan behind the series of short lives, each written by a distinguished author (often a novelist or scholar, not usually a professional biographer) and edited by James Atlas, first for Penguin, now for Atlas & Company, of which “Rimbaud” is the latest entry. Seems like a worthy idea; there are a lot of famous artists and thinkers one wouldn’t mind getting a convenient little handle on.[...]
[RICHARD HELL for THE NEW YORK TIMES • FOLLOW READING HERE]

Rimbaud, The Double Life of a Rebel, by Edmund White
ATLAS & COMPANY • 192 PAGES • HARDCOVER • OCT 2008
[Read a sample chapter here]

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